Syllabus

Ten weeks, week by week

The course follows the life of a film: first the story, then the visual style, then pre-production and directing, and finally the edit. Each of our five teachers leads two of the ten lectures.

Week1

Secrets of the Short

Sun, Oct 4 Led by Andrew Wells Ryder
  • The main types of short films, organized by structure
  • Watching and discussing short films that show each type
Week2

Genre: Tropes and Subversion

Sun, Oct 11 Led by Juli Del Prete
  • Examining the tropes that define a genre
  • Why genre conventions are useful, and how to subvert them
Week3

Screenwriting in Sequences

Sun, Oct 18 Led by Fiona Obertinca
  • Breaking a feature screenplay into sequences
  • Writing a fast, messy first draft, so a feature script feels far less daunting
Week4

Character Building Lab

Sun, Oct 25 Led by Juli Del Prete
  • Building characters through both writing and visual choices
  • Exploring different ways into a character
Week5

2 + 2 = 5

Sun, Nov 1 Led by Fiona Obertinca
  • Avoiding redundancy in a single scene or a whole film. For example, a sad scene doesn't need every filmmaking element to feel sad.
  • Subverting tone and genre
  • Homework: take a photograph that balances its elements around the meaning of the shot
Week6

Visual Experiences

Sun, Nov 8 Led by Greta Díaz Moreau
  • Revealing characters' personalities through directing choices
  • Shot progression: how the order of shots shapes a scene
Week7

Pre-Production Tools

Sun, Nov 15 Led by Ari Shapiro
  • Planning shots with Shot Designer and gathering visual references on ShotDeck
  • “Chords”: [one-line description]
Week8

Casting

Sun, Nov 22 Led by Andrew Wells Ryder
  • Finding, auditioning, and choosing actors for your film

No class Sunday, Nov 29 (Thanksgiving weekend)

Week9

Script to Screen

Sun, Dec 6 Led by Greta Díaz Moreau
  • Analyzing a scene from a real script, with examples
  • Working out together how we would bring it to the screen
Week10

Documentary Editing

Sun, Dec 13 Led by Ari Shapiro
  • Finding and shaping a story from documentary footage in the edit

Ready to join?

Enroll in the course on its own, or with four individualized workshop sessions.

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